PIANO. TEXTURE. MOVEMENT. SCROLL TO DISCOVERMAC / WINDOWS
01 / FOLLOW YOUR CURIOSITY
Start with something familiar. Make it your own.
A piano is a beautiful place to start. It doesn’t have to be where you stop.
Capture a chord. Bring in a recording. Pull a small detail into focus, stretch it into a texture, or combine it with something unexpected. Physica brings performance and sound design together in one instrument.
Expressive pianoYour own WAV filesGranular transformationMovement & space
ONE INSTRUMENT. MANY DIRECTIONS.
01 / 03
THE PIANO
A touch. A different colour.
Find the weight, clarity and attack your part needs. Body brings out the fullness, Brightness shapes the top end, and Hammer Strength changes the emphasis of the strike.
From a soft, close melody to a part that cuts through the arrangement.
SIGNATURE SOUNDS
A new place to begin.
Start with a sound from Physica’s library, then make it personal. Choose the part you want to play, soften its beginning or ending, or reverse it to uncover a different shape.
Keep the detail that catches your ear. Build the rest around it.
GRANULAR
A moment, opened up.
Break captured or imported audio into tiny pieces called grains. Change their size, overlap and position to move from recognisable detail into a flowing, evolving texture.
Let a short chord become a bed of sound beneath your next cue.
KEEP SCROLLING ↓
02 / SOUND MORPH
Between sounds, something new.
Blend four sources in one place. Move through the blend area to bring different voices forward, then shape the bass, body and air to give the result its own character.
SOUND MORPHFour sources. A continuous blend.
01
Find your balance.
Move between A, B, C and D to explore combinations without losing the connection to your source sounds.
02
Shape the whole.
Adjust Bass, Body and Air to change how the blended sound sits in your track.
03
Follow the in-between.
A little of one source can change the feel of another. Keep exploring until the blend feels like your sound.
Capture your playing or import a WAV. Keep the source close with Clean playback, soften it with Smooth, or open up the detail with Granular.
01 / GRAINS
Find the texture inside the recording.
Grain Size changes the length of each fragment. Density changes how closely the grains overlap. Move through the recording and adjust pitch to find a texture that still hints at its source—or takes it somewhere else.
Draw a curve and give a held sound a changing shape. Guide volume, pitch, tone or effects over time, so a single gesture can rise, fall and develop as you play.
Turn the notes you hold into a moving phrase—or find a new rhythm inside the recording itself.
ARPEGGIATOR
Let the notes do the moving.
Hold a chord and turn it into a sequence. Shape velocity, gate and pitch, choose a direction, add swing and sync the pattern to your session. Export the arpeggiator’s MIDI when you want to take the phrase further.
REARRANGE
Hear the same sound differently.
Find parts inside your source and change their order. A familiar recording takes on a different flow when its moments arrive in a new sequence.
07 / SPACE
A little air. Or a whole world.
Keep the attack clear and let the resonance follow, or let the whole sound dissolve into space.
01
Tail Reverb
Add a sense of place behind the note. Give an intimate part room to breathe without losing its definition.
02
Immersive Reverb
Bring the space into the sound itself. Turn a simple part into a wider atmosphere that carries beyond the keys.
08 / COLOUR & CHARACTER
The finishing touch. Or the turning point.
Add warmth, sharpen an edge, build echoes or introduce a pulse. Keep it subtle—or let the effect become part of the idea.
01 / DELAY
Let one note answer another.
Add repeats that give a sparse part more movement. Set the time, control how long the echoes keep going, and use ping-pong to send them across the stereo field.
09 / KEEP THE IDEA MOVING
From discovery to your session.
01
Bring your own sound.
Import a WAV or capture a performance inside Physica. Your recordings can be the start of something new.
02
Keep what you find.
Save your sound as a user preset, including the captured or imported audio that makes it yours.
03
Take it into the track.
Export or drag out WAV audio. Move arpeggiator patterns into your session as MIDI.
THE PRACTICAL DETAILS
Before you begin.
What is Physica?+
Physica is a piano and sound-design instrument for composers and producers. Start with its piano or Signature Sounds, or use your own audio. Explore capture, granular playback, Sound Morph, Imprint, Sculptor, rhythm and effects in the same instrument.
Can I use my own recordings?+
Yes. Import your own WAV audio, or capture notes and chords inside Physica. You can shape the result, save it with your user preset and export audio for your session.
Does it run on Mac and Windows?+
Physica is a native plugin for macOS and Windows. Mac uses AU or VST3; Windows uses VST3. A compatible plugin host is required. Kontakt is not required. Your purchase includes both downloads, clearly labelled Physica for macOS and Physica for Windows. Choose the installer for your computer.
What can I export?+
Export or drag out WAV audio, and export the piano arpeggiator’s patterns as MIDI. Use the audio as part of your arrangement or continue editing the MIDI phrase in your DAW.
How many computers does a licence cover?+
One licence covers one computer: either a Mac or a Windows PC.